Inking with Justine: Ink Like the Masters
Working your way from literacy to mastery.
Chester Gould, Hal Foster, Charles Schulz, Walt Kelly, Winsor McCay, Neal Adams, Bill Watterson and more
I had to learn the languages of these master ink artists. Now I can teach it to you.
You'll look at all these artists' language of line, and start to understand WHY they made the decisions they did, and how they used.
Inking Community Link
A Reminder of Your Tools Video
Review And Looking Deeper Into Mastery 1 of 2
Review And Looking Deeper Into Mastery 2 of 2
Line Practice Printable PDF
Review Worksheet 1 PDF
Review Worksheet 2 PDF
Aping The Masters... Or What I Learned On The CRA Project 1
Aping The Masters Video 1
CRA Copying the Masters Video
Heavy Line-Weight Variation Vs. Light Line-Weight Variation
Homework Light Line-Weight Variation
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CRA, Aping The Masters Inks
CRA Annual Report Complete Color PDF
CRA Complete High Resolution Inks
Aping The Masters Homework
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What's Next!
Regular price
Instructor Bio:
The worst part was, I was so ignorant when it came not only to art, but to comics, that I was drowning in my own naivete. I didn't know where to begin...
Then I met my mentors, P. Craig Russell, Val Mayerik, Dan Adkins, Jim Steranko, Frank Thorne, John Workman, and Jeff Jones. At first it was brutal, I was immediately confronted with the shameful realization that I didn't know a damn thing bout drawing, nor about comics, and I suddenly felt an urgent need to get it together and get down to the hard work of learning the hard stuff, of learning the discipline of setting aside the fun stuff to focus on fundamentals.
Then, for decades, I worked 60 hours a week, I made a lot of sacrifices, and did every damn thing my mentors told me to do. In that time, I completed 4 published graphic novels for Fantagraphics, inked for DC Comics, Image Comics, and created hundreds of illustrations for WOTC/Dungeons & Dragons, as well as for Lucasfilm, and countless more images for numerous clients in a wide range of projects from ballet stage design to animation.
It's my philosophy that most of my students have set the bar too low for themselves, that they have no idea just how good and how BIG they can become as artists, if only they make wise conscious choices.
What I excel at is saving my students time and suffering. I learned it the hard way so my students don't have to. Of all the gifts I have, perhaps the one I am most proud of is my ability to take complicated concepts and distill them into something I can pass along to my students. My students not only learn from my successes, but my failures, and if you learn from me, you are not only learning from me, but you will be learning all my mentors taught me.
Through me, they and my own life lessons will all be teaching you together, and not just how to draw good comics, but about how to prioritize, set achievable goals, and how to avoid temptation and learn the discipline it takes to become great rather than merely good.
My website is barefootjustine.com